Showing posts with label Gouache. Show all posts
Showing posts with label Gouache. Show all posts

Painting of Dancing Gopi by Jamini Roy c1950s

Painting of Dancing Gopi by Jamini Roy c1950s

Medium: Gouache on cardboard
Source: Royal Ontario Museum

A Noble Lady and a Brahman Bull, Illustrating the Musical Mode Bhairavi Ragini - Basohli Painting, c1680

A Noble Lady and a Brahman Bull, Illustrating the Musical Mode Bhairavi Ragini - Basohli Painting, c1680

The musical mode Bhairavi is visualised as a noble lady seated in a palace chamber stroking the muzzle of a white brahman bull, which is captivated and subdued by her presence. A maid standing in the half-open doorway behind makes a gesture of wonderment.

Medium: Gouache on Paper
Source: ashmolean.org

A Mughal Prince (Probably Akbar) Riding an Elephant in Procession - c1570

A Mughal Prince (Probably Akbar) Riding an Elephant in Procession - c1570

This fragment of a larger painting on cloth was made for Akbar at the same period as the Hamzanama series. A prince, perhaps Akbar himself (now only seen in the original under-drawing), rides a large elephant at the head of a lively royal procession of elephants. The upper part of this painting is in the Indian Museum, Calcutta. Cloth-paintings of this kind were probably displayed within the emperor’s tent quarters on his travels and campaigns.

Medium: Gouache with Gold on Cotton Cloth

Source: ashmolean.org

Brahma, Creator of the Universe, Riding on a Goose - c1720

Brahma, Creator of the Universe, Riding on a Goose - c1720

Medium: Gouache on paper
Source: ashmolean.org

Moon God Holding a Lotus and Riding a Blackbuck within the Face of a Full Moon - Ragamala Series, Basohli c1680

Moon God Holding a Lotus and Riding a Blackbuck within the Face of a Full Moon - Ragamala Series, Basohli c1680

Medium: Gouache on paper
Ragamala (‘Garland of Ragas’) paintings were believed to depict the essential qualities of the ragas or musical modes, which in the Punjab Hills were grouped with their ‘wives’ and ‘sons’ (ragini and ragaputra) in extended series of 84 pictures. Here the mode Chandra (moon), which is performed in the hours after midnight, is shown as the moon god holding a lotus and riding a blackbuck within the face of a full moon.

Source: ashmolean.org/

Portrait of Thakur Umrao Singh ji, attributed to the artist Rahim ji - Bikaner, early 19th century



Medium: Gouache on wasli
In a hybrid style typical of Bikaner at the time after large scale migration of artists from Jaipur who by and large continued to paint in the Jaipuri manner.
Rajasthan's thikanas (feudal states within a kingdom) were granted with the title thakur (equivalent to a lord) by the maharaja in recognition for loyalty and service.
Source: indianminiaturepaintings.co.uk

Musicians entertaining a lady - c. 1750 A.D, Guler

Medium: Gouache on paper
Source: http://chdmuseum.nic.in